Around the late 1800's and early 1900's, John
and Elisabeth Evans lived
in Columbus, Kansas. To them were born seven
fine children, Lela (now deceased)
Willard (now deceased) Merle, Homer,
Fred, Ruth and Juanita. They were one
of the most respected families in
Columbus, and all hard workers.
As Merle grew up, he was always
busy, he shined shoes at Fletch Crowder's
barber shop, worked at Blake's
Greenhouse, drove a delivery wagon for Campbell
and Bradney's grocery
store, had a paper route, was bell hop for the Brooks
Hotel, set type for
Johnnie Nicholson's print shop on the west side of the
square, and drove
cows to Mentsler's pasture, at $1.00 a month for each
cow. He was always a
very busy boy, not a lazy bone in his body. Merle loved
baseball, liked to
fish on Brush creek, and was always eating pop corn.
During his
early days, he would go to the City Hall and fire station, next
to the
Hammet's Livery stable, on the second floor of the old stone building,
and
listen to the band practice, as at that time Columbus had one of the
best
bands in the midwest under the direction of Prof. Kahelski. The band
made
trips all over the country, and always included the Priest of the
Palace
Parade, in Kansas City, Mo. with great musicians such as the Bowers
Brothers,
Bill McGhie, John Nicholson, Harry Hicks, the Reid Brothers (who
were later
burned to death on a Circus train) Harry C. Strong, Turkey
Thomas, Guy Mitchell,
Gar Richardson, and many other oldtime musicians.
Each Saturday night in
the summertime they pulled the old bandwagon to
each corner of the town
square for a 2-hour concert. Merle was always
there to listen. He loved
the band.
Bill Bowers later took over
the band and also organized a boys band. Merle
was the first one to join.
They needed an alto horn and he ordered one,
but the order was mixed up,
and when the horn arrived it was a cornet. Merle
would practice every time
he had a chance, night or day, and drove the
neighborhood
crazy. His
father made him go to the woodshed and shut the door, but Merle
kept
practicing, and soon joined the Columbus band, together with Cap and
Owl
Lemmons, Cecil Huff, Carl Stuckey, and others who joined the boys
band.
All the boys have nicknames, Merle was given the title of Doc,
because he
always carried his cornet case.
Every year Columbus held the Old
Sttlers[sic] Reunion. Thousands
would attend, and many families
would camp in the city park all week. The
largest carnivals in the midwest
played this reunion. In 1909 the S. W.
Brundage Carnival Co. was the
carnival for that year. They had a very fine
band, and Merle joined up as
a cornet player, at $10.00 per week. Before
the season ended Merle was
leading the band but during the winter months,
he worked at anything he
could get, from working in a pool hall, to playing
with a Salvation Army
band on Thanksgiving day for his dinner.
Merle played with the
Cotton Blossom Showboat band, and when a fellow member
of the band decided
to quit the Showboat and organize a medicine show, Merle
joined him in the
venture. (He recalled when playing with the medicine show
in Missouri,
there was a Holy Roller meeting being held there. Merle hid
in a ditch
near the meeting, and when the preacher said "when Gabriel
blows his
horn, the world will come to an end," Merle gave a big loud
blast on
his cornet and everyone at the meeting knocked over their chairs,
knocked
down the tent, started running and no one was left at the
meeting.
In 1919
Merle was offered a position as Band Master of the combined
Ringling
Brothers and Barnum and Bailey Circus Band. (The Greatest Show on
Earth.)
That year John and Charles Ringling ran the show. John was a
little skeptical,
but during the first performance Merle turned his cornet
toward John Ringling's
box and about blew John out of his seat. John said
"he is a wonder,
never heard a better cornet player in my life,"
and he was convinced
Merle was the greatest. Fred Branda was General
Equestrian Director. Included
in the performance that year were Lillian
Loitzel, Bird Millman, The Valdos,
The Wrth[sic] Family, Pollens
Bears, George Hanneford Family, Edna
and Danny Curtis, The Davenports,
Jung Brothers, The Charles Siegrist Flying
Troop, The Clarkonians Flying
Troop all feature Acts, 5 herds of Elephants
were carried, under Capt.
Bert Patridge, Capt. George Denman, and Capt.
Fred Baker, (52 bulls count
them) a very beautiful display of living Statues,
3 rings and 4 stages
were used, with many other great acts, and ending with
Hippodrome and
Charlot races. Over 100 clowns were carried that year. Both
Helen and I
caught the show, and still have the program.
Merle was with
Ringling's Barnum and Bailey from 1919 to 1970, with exceptions
of about 3
years, at which time they made an orchestra out of a Circus Band,
using
violins, etc. Merle could not take that, as a Circus Band is Circus,
and
good Circus Music is part of a Circus. During the time he was not with
the
Ringling Show, he directed the Bertram Mills band in England, worked
for
Davenport out of Chicago, made records, and directed bands in
colleges,
high schools, municipal bands, and was guest conductor for both
Army and
Navy Bands, at concerts throughout the United
States.
He always
used Circus music. His favorite composer was Karl King, and
some of King's
music was always used in his concerts. Merle is also a composer
of Circus
Music. He wrote many fanfares and marches. My favorites
are
"Symphonia"
and "Red Wagons." During a circus
performance he sometimes used
portions of more than 200 numbers. He has
led bands throughout Europe, Canada,
South America, Cuba, and every state
in the USA. He also conducted a band
in Russia as part of the U.S. Dept.
Cultural Exchange program in 1963.
Merle never forgot his hometown, Columbus,
Kansas, and between seasons
always visited Columbus. He had a friend named
Had Babb, and on his visit
home he would take care of Had, making him take
his yearly bath, taking
him to Tub and Skeet Whitcrafts' barber shop, for
an annual hair cut and
shave, buy him a new outfit including shoes, sox,
underwear, clothing, and
cap. They would either go fishing, or hunt
rabbits. (Had worshipped Merle).
Merle has received more honors,
throughout his life than any bandmaster
known. He was called
"Toscanini of the Big Top", "Etude"
magazine gave him
the name of "Will Rogers with a horn". On July
21, 1954, he was
made a Colonel by Gov. Lawrence Wetherby of Kentucky. On
December 20,
1968, at the Mid-west National Band Clinic, he was honored
by being the
first person ro[sic] receive the Conn award, and also
the Wind and
Percussion award from the National Band Assn. of America. He
never missed
a show, and was never late for a performance. He made more
people in more
places happy with band music than anyone else in the world.
He has
received hundreds of awards, Oscars, and medals, more than any
bandmaster
that ever lived.
On Dec. 17, 1938, Merle's very best
friends, Paul Van Pool, and his boyhood
friend the late Harold Fields met
in Joplin Mo., and formed the Merle Evans
Tent number 27, of the Circus
Fans of America. Both Paul and Harold with
their lovely wifes Evelyn and
Gladys, have followed Merle throughout his
entire career. Harold and
Gladys have traveled thousands of miles to catch
the show and visit with
Merle, as far as Maryland and Pennsylvania, sometimes
staying with the
show as long as a week at a time. Paul and Evelyn also
traveled many miles
to catch the Circus and visit with Merle. Ring number
32 of the Circus
Model builders was formed on July 24, 1959, and called
Merle Evans Ring,
at a gathering at Columbus, by Earl Burnsworth, Johnnie
Marietta, LeRoy
Redding, David Cash, Reuben Cooper, and Ned Aitchison. Banquets
were held
in his honor (one at the Columbus hotel where he was a bell hop
in the
early days) and at Independence, Kansas. Hundreds of his friends
attended
from throughout the 6 states.
In 1933 Ned and Helen Aitchison started building and
collecting Circusanna
for a future Merle Evans Circus Museum in his
hometown. A complete 1/2 inch
scale miniature Circus was built. Thousands
of lithos, Circus pictures,
and programs have been donated together with
much Circusanna. Every piece
has hand carved. Costumes were made by Helen
Aitchison, requiring as long
as two weeks to make one elephant blanket or
dress one performer. Tents
were also made by Helen, Bill Hanks helped with
the lighting and animation.
Then on Aug. 3, 1962, it was dedicated by the
Circus Historical Society,
in Columbus, Kansas. Over 1000 people attended
the dedication, from every
state in the union. A ribbon was cut by Pres.
Fred F. Pfening Jr. The Chamber
of Commerce furnished pink lemonade.
Johnnie Marietta furnished free pop
corn from his old time popcorn wagon,
built in 1889. Johnnie also furnished
two of his callipopes. A 32-piece
band played old time Circus Music. The
yard was decorated with old time
circus banners. Talks were given by Don
Smith, founder of the Circus
Historical Society, President Fred Pfening,
Bette Leonard (Our Kansas
Circus Queen), Chappy Fox, head fo the Circus
World Museum, Sverro O.
Braathen (Our greatest authority of Circus bands
and Circus music) Col.
Paul Van Pool who brought the C.H.S. Convention to
Joplin, Mo., and
Columbus Mayor Taylor of Columbs[sic] , and other
circus
dignitaries, and ended with a banquet at the Brooks Hotel, with
Bill
Hamlet in charge of the banquet. (Some had never eaten green corn
before).
The menu included red or pink lemonade, came soup, Merle Evans
consomme,
Big Top salad (hay sawdust and spangles), choice hippo rump
roast, fried
giraffe, pickled ostrich eggs, stewed gorilla, choice of two
elephant ears,
unicorn on the cob, zebra stripes, and stewed monkey
glands. Drinks were
flook?-um, snake juice, and iced gnu milk. Dessert was
snow cones, chacker
jacks and cinrcus peanuts. Rollo Stevens and David
Graves were chief chefs.
Sarasota, Florida, honored Merle Evans,
with Merle Evans Day, which was
proclaimed by Mayor of Sarasota, with a
large parade, speeches, and a great
band concert, directed by Merle and
Gov. Docking, ending with a large fireworks
display. Many of Merle's
Circus friends drove hundreds of miles to be with
him that
day.
Yes, Merle
has played through catastrophes, mud lots, blowdowns, wrecks,
but the
worst being the Hartford Fire in July 1944. During the Thursday
matinee in
which the Big Top caught fire, just as Alford Court finished
his cat act,
and The Wallendas wire act were ready to go on. A total of
152 people lost
their lives, and over 200 were burned and injured. Merle
and his band
stayed on the band stand, until it was a mass of flames, still
playing,
which helped to keep down terror, and saved many lives. Some
musicians
suffered burns, and some instruments were destroyed or
damaged.
Another sad day for Merle was when the big show had to
close under the tent,
in Pittsburgh, Pa., and many of his friends were
stranded, without jobs,
money, and no place to go. Those who could,
pitched in to help those in
trouble. The next year the show went out,
playing in large arenas, coliseums,
ampitheaters, and auditoriums. This
move proved very successful, and has
been so ever since. Merle has played
for all the greatest circus acts that
performed with circuses. He directed
circus bands with up to 36 musicians.
He was with The Ringling Barnum and
Bailey Circus when they carried 150
clowns, and the Side Show or Freak
Show carried as many as 36 freaks and
when the show traveled on 3 complete
trains with from 1500 to 2500 people,
and Merle knew every one of them. He
knows thousands of Circus Fans, Circus
Historians, and Model Builders from
coast to coast. He knew personally all
of the great band masters, Karl
King, Fred Jewel, Ed Weeckener, Earl Freburger,
Jack Phillips, C. L.
Brown, Henry Keys, and many others. He very seldom
forgot a name and
always had a good word for everyone he ever met. He always
talked very
fast, and had a good story to tell you. The Big One will never
be the same
without Merle on the bandstand.
Merle and his lovely wife, Nena,
will continue to live in Sarasota, Fla.
Nena for many years was secretary
for John Ringling North, and in recent
years paymaster for the Ringling
Barnum and Bailey Circus. Merle will keep
busy. He has many contracts for
concert appearances, talks, and will make
5 more albums of good old time
circus music.
Learn more about Merle Evans:
Windjammers Center Ring
Concert
Band